Nothing sparks the holiday spirit like Miracle on 34th Street. For many, the film is a yearly tradition, but did you know it has a long history onstage too?
In 1963 Meredith Willson (The Music Man, The Unsinkable Molly Brown) wrote the book, music and lyrics for a new Broadway show called Here's Love based on "Miracle on 34th Street."
With songs like "It's Beginning to Look a Lot Like Christmas" and other festive favorites, the show was a hit and had everyone, not just Susan, believing in the holiday spirit.
On Tuesday, December 11, Willson's creation will be brought to life again onstage at the Fox Cities Performing Arts Center in Appleton. Great seats are still available, so gather the family together for a special holiday show!
Showing posts with label Holiday Shows. Show all posts
Showing posts with label Holiday Shows. Show all posts
Thursday, December 6, 2012
Wednesday, November 21, 2012
Share Your Story for a Chance to Win!
Do you have a special memory of the Fox Cities Performing Arts Center?
If you have tickets for Mannheim Steamroller Christmas by Chip Davis this Saturday, look for the camera station in the Main Lobby. You can Share Your Story and make your favorite moment part of a 10th Anniversary Celebration.
By sharing your story, you will be entered for a chance to win two tickets to Fox Cities P.A.C. Fan Day with SCRAP•ARTS•MUSIC on Wednesday, March 20, 2013. Up to 100 lucky winners will be selected at random!
Feeling Camera Shy?
You can also Share Your Story by writing a short paragraph, submitting a photo or coloring a special entry form for kids. Click here to enter!
Upcoming Share Your Story Video Opportunities
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Labels:
10th Anniversary,
2012/13 Season,
Arts Alive,
BBC Concert Orchestra,
Fox Cities P.A.C.,
Holiday Shows,
Mannheim Steamroller,
Share Your Story,
Spirited Songs
Wednesday, December 14, 2011
Show and Tell: Danú
The stage was simply adorned with only the necessary microphones and seating, as well as one festive Christmas tree warming the stage with its glow. The musicians themselves were pure and straightforward in their presentation. The Fox Cities Performing Arts Center was decorated with simple yet stunning garlands strung through the Center and plenty of ushers ready and available to help. All of this preparation set the stage for each attendee to be utterly dazzled by the music of Danú: Christmas in Ireland.
The ensemble hailing from the historic County Waterford shared a wide variety of Irish music: from slow, evocative ballads to lively jigs to traditional Christmas carols. The audience immediately responded to the warmth of the musicians and were especially delighted when two Irish step dancers from the local Trinity Irish Dance Academy joined the group onstage. The pair garnered huge rounds of applause every time they made an appearance during the show.
Each member of the ensemble spoke briefly during the performance, sharing some personal information about themselves, their country, or even sharing a favorite poem. This in and of itself was quite a treat, at least if you're a lover of foreign accents, like myself. One musician even quipped during the course of the night, that the Irish accent had recently been voted the "sexiest accent in the world," beating out others such as French and Italian.
The musicians and audience seemed quite comfortable interacting with each other. The ensemble themselves, while very experienced on stages around the world, were likely set even more at ease by the fact that they would be heading home to Ireland soon. One particular moment that left the crowd roaring with laughter was as Eamon Doorley who plays the Irish Bouzouki was sharing with the audience that Irish people greatly enjoy music and feel free to voice that enthusiasm with a variety of shouts that may even vary based on the region they live in. After voicing an assortment of various Irish whoops and hollers that may accompany a lively concert, he asked, "Do you have any particular way you shout here?" At which one brave audience member quipped loudly, "Go Pack!"
Danú's lead vocalist and flutist, Muireann Nic Amhlaoibh, captivated audience members with her solos, despite admitting to having a cold. On a few numbers, Ms. Amhlaoibh sang in her native Gaelic, or Irish, as she called it. She seemed especially delighted to be joined by Northeast Wisconsin's own White Heron Chorale on the Christmas carols "Silent Night" and "Angels We Have Heard on High."
Laughter was in order when Danú's musicians shared unique Christmas traditions of Ireland such as "hunting for the wren" the day after Christmas, called St. Stephen's Day. The ensemble was joined onstage by a "straw boy" or, as Ms. Amhlaoibh described it, a hula skirt taken to the extreme. The costume is sometimes worn on St. Stephen's Day as Irish folk let loose after spending Christmas Day on their best behavior with what could be described as an "Irish Mardi Gras." Guitarist Donald Clancy also shared about his mother's tradition of baking a Christmas Cake and had the audience in stitches with his descriptions. But this couldn't compare to the song he invited the crowd to sing along with him with lyrics like, "the crust, it was nailed on with glue," and insisted they pronounce "ate-ing a slice" just as the Irish do.
Danú's spirited jigs had the audience tapping their toes and clapping along. Sparkling melodies led by flute, accordian, and fiddle danced as well as any sugarplum fairy. It was music that makes one want to hop up and do a jig... If one knew how to do so.
The tradition of placing a lit candle in one's window for Christmas started in Ireland, and it began as means to display that home's openness to the Holy Family with no place to stay, as well as any passerby who may need warmth or food. At night there are times it looks as if stars have been sprinkled over the countryside as families place their candles in windows. It turns out, Danú's warm and magical music was a candle inviting all those who could hear to come inside and enjoy the warmth of a Christmas in Ireland: An Nollaig in Eirinn.
Show & Tell: Danu: A Christmas in Ireland Brings New Meaning to a "Family" Christmas
If you’re lost the magic of Christmas amid the hustle and bustle of the season you need not look any further than our very own Fox Cities P.A.C. which is more “a glow” with Christmas than any card you’ll receive this year.
Danú: A Christmas in Ireland took the audience at the Fox Cities P.A.C. on a musical Christmas journey through Ireland, time, and the Christmas memories of our own hearts.
Danú adopted the audience into their big Irish family by using music, storytelling and the sharing of Irish traditions. The audience sang the ingredient list to help bake the Christmas Cake, went on a traditional wren chase searching for the little red birds on December 26th, the Feast of St. Steven, and sang along as the Christmas candle was lit and placed in the family window.
With instruments ranging from flutes and guitars to the Irish bodhran, it was awe inspiring how only six musicians could weave together each song with more musicality than a full symphony. The complexity of the arrangements and the band’s layering of the music of traditional and familiar Christmas pieces were nothing short of brilliant.
With every note the Irish ensemble of six inspired the audience to approach their personal traditions of Christmas, no mater what they are, with rejuvenated wonder and respect.
Muireann Nic Amhlaoibh, sole woman of Danú, soothed the audience with a voice made for lullabies and sacred songs. Her beautifully haunted timbre was perfect for those old and traditional Irish pieces and the favorite carols more recognizable to the audience at the Fox Cities P.A.C. such as “Silent Night.”
Danú was joined throughout the program by the local talents of The White Heron Chorale and Irish step dancers from the Trinity Academy of Irish Dance. These local performers fit right into the Irish family and made their hometown audience proud.
Several of the pieces were lively and fast, sparking a whispered buzz through the audience of how even the skilled musicians of Danú could play so many notes so rapidly. Although impressive in their own right, the highlight of the evening for this theatergoer was “Le Coinnle na N’Aingeal” (the "Candles of Angels"). This song is about the simple Irish tradition of placing a lit candle in the window to welcome the Holy Family or any visitor seeking hospitality in the night. For me, Christmas lived in the voice of Amhlaoibh as she poured this prayer like song into the hearts of the audience.
Danú: A Christmas in Ireland set the Christmas scene at the Fox Cities P.A.C. perfectly.
With such a traditional family feel I almost felt guilty leaving after the encore without hugging each band member and saying goodbye.
Tuesday, December 13, 2011
Show & Tell: Danú: A Christmas In Ireland
If you were not already in the Christmas spirit, spending a few hours taking in the performance tonight by the Irish ensemble Danú was sure to fix that problem. These six amazing musicians took the audience at the Fox Cities Performing Arts Center on a trip back in time. At one point you felt as though you were being welcomed into a full family home, and then later like you had just walked into a warm Irish pub on a brisk December evening.
They opened with “The Wexford Carol,” a song with origins back to the 12th century. It started slow and soft with only a solo vocal accompanied by the button accordion. Soon the other instruments joined in, piece by piece, until they reached a frenzied, foot stomping, crescendo. In no time at all you realized that this would be an entertaining evening.
While the music was inspiring, the stories and tales of Irish traditions that peppered the set between songs brought with them an instant warmth and humanity. There were poems about Christmas and the traditional hunting of the wren, a celebration that takes place on December 26th, which is also known a St. Stephens Day in Ireland. It is a day full of music and celebration, being described by the band as an “Irish Mardi Gras.” Later in the second set, we found ourselves wrapped up in that spirit as we were encouraged to sing the ingredients of a fruitcake recipe during the chorus of a song. For every tradition that is unique to Ireland, there seemed to be one that we had in common, if only with a slight twist. Throughout the performance the audience was brought into the act with singing, enthusiastic clapping and shouting.
For those without a strong background in Irish instrumentals and songs, there were haunting renditions of the familiar seasonal songs “Silent Night” and “Angels We Have Heard On High.” The entire audience was singing along with “Silent Night” at the end, giving everyone in their seat a true surround sound experience. The music of Danú was enhanced this evening with periodic appearances on the stage by the White Heron Chorale and a pair of Irish step dancers.
To see unique instruments such as the Irish bouzouki and the bodhran in prominent roles was a first for me. The sounds that could be coerced from the bodhran, an Irish drum, seemed limitless. The encore started with a drum solo that had the Center crowd on its feet clapping along until the end of the last song. I left the Center with the sounds of the flute and fiddle bouncing around in my head, a spring in my step and a renewed anticipation of the upcoming holiday visits with family and friends.
They opened with “The Wexford Carol,” a song with origins back to the 12th century. It started slow and soft with only a solo vocal accompanied by the button accordion. Soon the other instruments joined in, piece by piece, until they reached a frenzied, foot stomping, crescendo. In no time at all you realized that this would be an entertaining evening.
While the music was inspiring, the stories and tales of Irish traditions that peppered the set between songs brought with them an instant warmth and humanity. There were poems about Christmas and the traditional hunting of the wren, a celebration that takes place on December 26th, which is also known a St. Stephens Day in Ireland. It is a day full of music and celebration, being described by the band as an “Irish Mardi Gras.” Later in the second set, we found ourselves wrapped up in that spirit as we were encouraged to sing the ingredients of a fruitcake recipe during the chorus of a song. For every tradition that is unique to Ireland, there seemed to be one that we had in common, if only with a slight twist. Throughout the performance the audience was brought into the act with singing, enthusiastic clapping and shouting.
For those without a strong background in Irish instrumentals and songs, there were haunting renditions of the familiar seasonal songs “Silent Night” and “Angels We Have Heard On High.” The entire audience was singing along with “Silent Night” at the end, giving everyone in their seat a true surround sound experience. The music of Danú was enhanced this evening with periodic appearances on the stage by the White Heron Chorale and a pair of Irish step dancers.
To see unique instruments such as the Irish bouzouki and the bodhran in prominent roles was a first for me. The sounds that could be coerced from the bodhran, an Irish drum, seemed limitless. The encore started with a drum solo that had the Center crowd on its feet clapping along until the end of the last song. I left the Center with the sounds of the flute and fiddle bouncing around in my head, a spring in my step and a renewed anticipation of the upcoming holiday visits with family and friends.
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